Long Beach Soundwalk 2006

Posted on 12:34 PM by James | 0 comments

Though this past weekend was the 3rd annual Soundwalk in Long Beach, it was my first year going to the event. I went with high expectations because the Los Angeles area just is not well known for events that feature sound works. For the organizer to create something like this is something that needs to really be commended. But I have to say that I was a bit disappointed by my first outing. While there were many sound pieces blaring from loudspeakers installed on rooftops, above doorways to stores and galleries, and hidden in potted plants lining the streets, along with the street performers complete with a guy pushing a mobile foghorn, what I had hoped for were some meaty sound installations.

Perhaps that expectation is not the right criteria to use as basis to criticize the event, but a comment from an acquaintance who was documenting the Soundwalk that I ran into confirmed that this year was less interesting than the year previous. I, however, did see an installation that even attempted to provide interactivity, albeit a very simple interactivity indeed.

To the organizers’ and the artists’ credit, the street performances and works composed were quite wonderful. Having a sound event like this really show that there is an interest in sound art within the area, even if the commercial galleries and local institutions do not provide the venues to showcase this type of art as much as they should or could. I do hope that next year’s event will be a bit better, so that I can make this event an annual engagement.

Quantizing Effects: The Liminal Art of Jim Campbell

Posted on 1:11 PM by James | 0 comments



If you like your art with a splash of tech, there is no better place in the Los Angeles area to view such works than the Beall Center for Art and Technology at UC Irvine. Currently on show is the works of the Bay Area artist Jim Campbell. Campbell was one of the many artists that I discovered during my study at the San Francisco Art Institute several years ago. Campbell uses his knowledge of engineering to create electronic works that are thought-provoking and poignant. He is probably best known for his use of low resolution light-emitting diode (LED) display in pieces that include presenting video footage and light-based works. One of the interesting examples of the latter is a portrait of another Bay Area artist Pual Demarini. Demarini is also best known for his integration of technology as well as sound in his pieces. In Campbell’s portrait of Demarini, individual LEDs are lit successively at different lumens, taking queue from microphone inputs listening to electronic sounds emitted from a speaker nearby, to form the portrait of Demarini.

Viewing technology infused art can be a bit tricky to take in. The viewer is always trying to peak behind the curtain to reveal the Wizard at work. But Campbell has done a great job with his magician’s hands to produce the illusions. The current LEDs works are both visceral and poetic.

Image source: Beall Center for Art and Technology